What we offer
Getting nature on screen in Australia
is harder than it looks.
The access, the crew, the locations, the wildlife — none of it is on a database. It takes years of relationships. That's what we bring.
How we work together
Three steps to your
Australian production.
01
Tell us your story
Share your project, brief, or idea — broadcast pitch, brand campaign, government program, or something still taking shape. We'll tell you honestly what's possible and what it takes.
02
We open the doors
Access to locations, scientists, Indigenous knowledge holders, and government bodies that no production database can provide. Award-winning crew assembled around your specific needs.
03
We deliver the story
Broadcast-standard content, on time, to the editorial and compliance standards of your platform — whether that's Netflix, a brand campaign, or a government communication program.
Full capability detail
A genuine creative and production partnership for international broadcasters — not just a local fixer. We bring editorial input, Australian relationships, and broadcast credentials to co-productions with UK, US, and European partners.
- Australian broadcaster and Screen Australia relationships
- Story development, scripting, and editorial producing
- Access to government, scientific, and Indigenous story owners
- Finance, incentive, and co-production treaty navigation
Brands, corporations, and NGOs with a story about the natural world need more than a production crew. They need a partner who understands what makes environmental content credible — and what makes audiences actually watch it.
- Environmental brand films and campaign content
- Corporate sustainability and ESG storytelling
- NGO and conservation campaign production
- Broadcast-quality craft for non-broadcast clients
- Authentic access to scientists, rangers, and Indigenous contributors
Nature and wildlife content for advertising demands the same access, the same specialist crew, and the same patience as broadcast — with the added complexity of brand requirements and tight turnarounds. We've navigated both.
- TVC and digital advertising in natural locations
- Wildlife and macro sequences for commercial use
- Studio production for advertising content
- Animal wranglers, specialists, and production design
- Permits, access, and environmental compliance
Government agencies, research institutions, and science bodies need content that meets compliance standards and still reaches the audience it's made for. We've delivered for DFAT, state and federal environment departments, and major Australian universities.
- Environmental and conservation policy communication
- Science translation for public and policy audiences
- AusAID and international development program content
- Indigenous land management and cultural content
- Educational content for schools and institutions
Australia's top natural history crew — award-winning DOPs, macro specialists, drone operators, sound recordists, field producers, and animal wranglers — available to any production working in this country. Built over fifteen years in the field.
- Award-winning DOPs with natural history specialisation
- Macro and specialist cinematography
- Drone operators — CASA licensed
- Animal wranglers and wildlife handlers
- Field producers and fixers, Australia-wide
- Full production management and logistics
The access that defines the quality of a natural history production isn't on a location database. It's built over years of relationships with Parks agencies, researchers, Traditional Owners, and the scientists doing the most important work in their fields.
- National parks, reef, rainforest, and desert access
- Queensland Parks and Wildlife Service relationships
- Research institutions: Griffith University, UQ, JCU
- Indigenous knowledge holders and land managers
- Leading scientists as on-camera contributors
- Remote logistics and environmental permits
